Sounds From the Little World

As sad as it can be to have a good friend go well out of reach, it makes it that much more exciting when that friend sends you a bit of their craft. Such is the case with the little demo we received from Monrovia's own musical knight-errant, Jee Wallis. Jee's wild spirit brought him infamy among the town's more traditionally-minded (some would say "closed-minded" or, better yet, "boring") musicians, his music as well as his onstage persona being like a raging beast refusing to be tamed. While his abrasive music may have been an acquired taste, an intense feeling of satisfaction always awaited the listener at the end. That same infamous, wild spirit recently carried Jee away from home, to the misty mysteries of San Francisco. Whether it was to provide inspiration or a more like-minded audience, Frisco would be the perfect place for Jee to temper his craft. What we did not expect, however, was what he sent us only a month after his arrival. Jee Wallis' most recent demo, titled "Daly City",  sees a radical change in his approach. The gentle acoustic strumming heard here washes over the listener like the waves of a nearby beach. Though the emotions may be different, peacefulness replacing discontent, the intensity remains. That same satisfaction greets the listener, and will very well greet more than before due to the new, welcoming sound. We can't say just yet where Jee's music will go from here, but it will be sure to please. For now, take in the soothing sounds of San Fran:

Click here to download "Daly City"

We'll keep you updated on any and all of Jee Wallis' goings-on.

Post-Teens With HEEPS Of Talent

Summer is just about over, and that means it's time to start packing away the sunshine melodies and bring out the sad stuff. Luckily, a new band has just the thing to slap a wistful look on that sunburnt face. The Heepers, made up of guitarist/vocalist Ethan Felding, Jr., bassist Lenora "Lenny" Walker, and drummer Cameron Culan, weave tales of woe sure to leave you with bittersweet longing. This should not be a surprise considering the band's history, however. Legend has it that Felding decided to start his new project the very morning after a catastrophic Valentine's Day left him without either a girlfriend or a band. His frustration fueled a flurry of songwriting, and he began taking his fledgling songs to coffee shops to help regain his confidence. A month later, he was noticed by Lenny Walker and Cameron Culan, who were on their way back from a trip to Santa Cruz when they stopped at Sierra Madre's Bean Town - just in time to catch Felding's performance. After the show, the two approached Felding and asked whether he was looking for a world-class rhythm section. "Or you could settle for us," quipped Walker. Soon enough, The Heepers were rocking every house, coffee shop, and garage that could hope to contain them. As for the name, none of the members are sure what it means. "We had a brainstorming session that turned into us just saying random sounds," recalls Felding. "Then out of nowhere we were all just saying 'heep!' over and over again. We must have gone crazy for a second." We're pretty crazy about The Heepers right now, so we invited Ethan Felding, Jr. over to our studios to cut a single. The first song is a new one for those who have been keeping up with the band, "My Pall Malls," which Felding is still in the process of writing. It features Felding's signature haunted narrator, this time leaving his presumed lover under unknown circumstances. The B-side is a cover of Beat Happening's "I've Lost You" that works lyrically as a continuation of the story. Head on over to the Singles Series page and get ready for some depressing goodness.

Click here to go to the Singles Series page and listen to The Heepers

Be sure to keep a keen eye out for shows and recordings from The Heepers (they don't have any websites yet).

Into the Planisphere: The Tale of Freak Funk

You cannot call yourself a true Monrovian if you have not heard the wild, infectious rhythms of the genre taking our beautiful city by storm: freak funk. For several years now, our young ne'er-do-wells have been feeding rock and roll to the dog to make room for an exciting, imaginative dessert. Freak funk began with The Star-Town Troubadours, one of the most famous bands to flourish in the Monrovia musical underground. Their approach was simple: take the rhythm section of funk, which almost dares listeners not to flex their groove muscles, and add to it the eccentric experimentation of psychedelia. The effect is something that excites both band and audience, which in turn creates more excitement. As uncomplicated as this combination may seem, there could be no denying its success. The Star-Town Troubadours had a top-selling album with their 2002 debut, Our Sunday Clothes. Soon enough, other artists were taking on the approach as well as adding their own personal flair. A small psych-pop outfit called Little Yogurt had found only moderate success until they teamed up with a rebellious young man from Finland who had a dual passion for James Brown and Sun Ra. After their legendary two-month "pure magic nonstop jam," Herb Bombgarden and the Little Yogurts (pictured) took the stage in the summer of 2009 to deliver one of the most dynamic concerts in Monrovia history, reinterpreting funk standards in their own hyperactive image. Sharing the stage that night were fellow legends Time Machine Modulus, who have since rejected being labeled as a freak funk band. Yet they need not be so defensive. There are currently hundreds of garage bands keeping the genre alive, some of whom, like The Wild Freak-Outs, Atomic Giants, and Boog, have worked tirelessly to expand on their forefathers' truly revolutionary visions. While this may just be a fad about to fade, it's an amazing ride for all who dare to explore the outer reaches of music.

Our Own Little Music Fest

The Monrovia Renaissance is proud to present our very own (hopefully annual) summer art and music festival: Jam Time! Most festivals are ridiculously long, some taking up whole weekends, and can cost hundreds of dollars. The Jam Time musical extravaganza will compress all that fun and excitement into just a few golden hours and will only cost zeros of dollars! Wowee zowee! Jam Time 2011 will take place at the parking lot of El Rancho Meat & Provision in the heart of lovely Arcadia, California. The company's loading dock provides a perfect stage for the audience to catch our team of expert rockers and rollers summoning up some mad energy. The tentative line-up consists of the anthemic Mellow Maniac, the cryptic Sunscribe, the rowdy Death Valley Saints, and the electric Transpose. We'll also be showcasing the finest of art from local mavericks. This show is guaranteed to knock your mock doc's socks off or we will give you a full refund. Count on it!

Click here for the Jam Time 2011 Facebook event page

UPDATE: Unfortunately, the Death Valley Saints are unable to make it to the show. That doesn't mean you can't still check them out though! Our final line-up keeps Mellow Maniac, Sunscribe, and Transpose, and adds the soaring Savannah Van Band and the whoa-that's-actually-their-last-name Graves. As promised, there will also be several artists, as well as some live painting. That's where they paint something in front of you, not where they paint animals. Either way, if you miss out on this, we'll have Sam the Sham call you an L7. And no one wants that.

It Came From The Record Shop

When I walked into Family Affair Music, Monrovia's landmark record store, I had no idea of just how life-changing my trip would be. I was there on a mission: to find the legendary bootleg 7" of Grape Grape's first and only concert, which took place at the Library Park bandshell in 1995. Searching the shelves got me nowhere, but I had a very reliable source tell me the bootleg was here. I decided to go ask the Man if he knew anything about the record (though he would most likely refuse to tell me). The Man, however, had just seen something that made him quite upset. "Another one!" he yelled, waving a CD jewel case like it were some sort of cursed object. When I asked what the matter was, he gave me the story. It seems some person sneaks into the shop on a regular basis and places their homemade CDs in the counter's bargain box. Though the person comes in about every week, the Man is still unsure what they look like and only knows they arrived when he finds the disc. This certainly was strange, but I still did not understand why the Man would be so upset. Then he told me: "...And they are filled with the worst stuff imaginable! Not only is it crude, it's not even good!" As I'm also a regular at Family Affair (albeit a more conspicuous one), the Man knows that I write for a music blog and have previously reviewed albums for various magazines. This knowledge, added to his confidence in his opinion, led the Man to thrust the CD into my hands, asking me to write the bad review the strange character deserved in the hopes that he would see it and be shamed into quitting his trips to the shop. As much as I wanted to help my friend, I found myself unable to write poorly about the album for one simple reason: it's amazing. Yes, it may be a bit rough around the edges: it boasts no-fi production, and completely lacks any kind of rhythm, melody, or sense of cohesiveness, but this is the album's charm. The enigma behind these recordings is one Deeton Slater; no other details are given in the album booklet other than the track names (the rest is all cryptic doodling). The songs are fractured yet rambling, and downright spooky. Overall, they give the impression that Mr. Slater is on the verge of a mental breakdown. Yet it is undeniable that this man is a genius. In the hopes that Deeton Slater will overcome his fear of rejection and stand up for his music, two of his songs will become the next installment in the Monrovia Renaissance Singles Series. Far from the best Deeton Slater has to offer, these tracks were selected solely on commercial appeal. Listen to them here and let Mr. Slater know that despite some people not being able to understand his artistic approach now, there are those lovers of innovation that appreciate his efforts. Also, if anyone finds that bootleg 7" contact me at monroviaren@yahoo.com

WARNING: Deeton Slater's songs contain highly graphic content and strong language. Listener discretion is advised.

Click here to go to the Singles Series page and listen to Deeton Slater

Check 'em Out: Sleepy Chameleon

The latest band to set off our radars is the hip and happening Sleepy Chameleon. We're not yet sure if dance-friendly bands with animal names are this year's trend, but we can guarantee that this group's sounds are out of this world. Sleepy Chameleon's music lies somewhere between the DJ set for the club in a daydream and the ambient sounds played in an extraterrestrial day spa. While the first part of Sleepy Chameleon's name holds true - these songs are sure to put you into a peaceful trance - the band displays little in the way of shapeshifting soundscapes. This adherence to a somewhat set formula may work to the group's advantage, however. When acclaimed electropop group Fancy Guppy took a nervous step into the dank waters of horror folk with 2006's Backwoods Melodies, the response of the group's rabid fans (particularly those from New York City) was relentless. The most vile remarks were spat upon millions of blogs, restroom stalls, and library books despite mildly warm critical reception. At the same time, The Wild Freak-Outs have found much success (both commercially and critically) in their many ventures into other genres, especially with 2008's electric double LP Oh My Holy Pizza. Either way, hop on over to Sleepy Chameleon's SoundCloud page and let your brain do the hustle or get a massage from a Martian. No happy endings though.

Fancy Guppy Gets Mean, Not Really

Just an amount of time ago, Fancy Guppy released a new space-age track from their upcoming EP, With Soul and Vile. "Four Eyes" is certainly the most bubbly of the bunch, with its rudimentary backbeat and playful keyboard melody. Add a mood-twisting, eyebrow-twitching ending and what you have is the makings of a possible album-opener. The latest news from the Gup is that these releases are instrumental versions of songs that will be appearing on the now highly-anticipated album. No word yet on which rappers will be making appearances, but you can be sure we'll be the first to know. You'll be the second or third we'll tell, too. Nab "Four Eyes" from the link below and feast your ears.

Click here to download "Four Eyes"

Fancy Guppy's With Soul and Vile out soon via Public Recods. Probably.