Finally, from the King of Trash Pop

Nearly a decade into his ambitious project Dance America Dance, Monrovia's musical mad scientist Desmond Thesman, 25, has finally let slip a bit of his progress. The title track, featured here, is not strictly new. Though this is the first time it's been released, the song was among the first Thesman conceived when he began planning his genre-bending assessment of the state of music in 2003. Since then, Thesman - who has referred to himself as King Dez, King Thez, The sMan, and other permutations of his name - has devoted nearly all of his time to creating what he promises is not just a pop masterpiece, but "the pop masterpiece." Dance America Dance is to be a quadruple album that deconstructs the last 80 years of American popular music and reimagines it through his vaguely dancey, trash pop lens. His endless devotion to the Dance project has become a source of constant worry for his family and friends, however. "There were several nights when... he simply did not sleep," says mother Bethany. "He developed a serious caffeine addiction [and] when he got withdrawals it was terrifying." Eugene, a friend of Desmond's, recalls a particularly low point during which Thesman rode his bicycle naked around Library Park. "Even after all these years he's locked himself away," says Eugene, "he's still the best cycler around. The cops couldn't catch him for days." There was also the issue of recording. If Thesman was unhappy with any part of a recording, he simply destroyed it and began again, a practice that eventually led to an astronomical sum spent on cassettes. Despite these difficulties, Thesman was able to send us this song as proof of his progress. The artwork, of course, is the same that was released in 2008 much in the same spirit, though we're still unsure whether this is the definite cover for the album. What is certain is the engaging nature of this song. "Dance America Dance" is most likely a take on the disco era, though from another universe where disco groups recorded strictly onto cassette, and it invites one in to search among its contents for hidden treasures. This is too broad a work to reduce it to one description, thus we will leave it up to you to analyze in the comments. Get ready to enter another dimension:


Catch Desmond Thesman this César Chávez Day at the Brass Elephant's Banquet Hall at 8PM. We'll keep you in the know on any new developments on Dance America Dance.

Fresh Sounds: Jared Valenzuela's "Sleepless Nights"

Winter seems to have just woken up and grabbed its coffee, and yet some are already anxious for summer to amble over once again (though The Heepers probably aren't among them). This seems to be the sentiment behind the new track "Sleepless Nights" from six-stringer Jared Valenzuela. A supporting member of his previous band Toma, which was a crowd favorite at the most recent Monrovia High Battle of the Bands, Valenzuela shows here that he is just as comfortable taking the spotlight alone, weaving layers of guitar into beautifully emotional soundscapes. His latest is a tender track that evokes a sense of nostalgia for the peace that follows a fun summer day spent at the beach. Much like the sound of waves that bookends it, the song has amazing soul-soothing powers. Together with Jee Wallis, this may be the start of a new era in Monrovia folk. Start applying your sunscreen now:



As always, we'll keep you up to date on any new developments.

Post-Teens With HEEPS Of Talent

Summer is just about over, and that means it's time to start packing away the sunshine melodies and bring out the sad stuff. Luckily, a new band has just the thing to slap a wistful look on that sunburnt face. The Heepers, made up of guitarist/vocalist Ethan Felding, Jr., bassist Lenora "Lenny" Walker, and drummer Cameron Culan, weave tales of woe sure to leave you with bittersweet longing. This should not be a surprise considering the band's history, however. Legend has it that Felding decided to start his new project the very morning after a catastrophic Valentine's Day left him without either a girlfriend or a band. His frustration fueled a flurry of songwriting, and he began taking his fledgling songs to coffee shops to help regain his confidence. A month later, he was noticed by Lenny Walker and Cameron Culan, who were on their way back from a trip to Santa Cruz when they stopped at Sierra Madre's Bean Town - just in time to catch Felding's performance. After the show, the two approached Felding and asked whether he was looking for a world-class rhythm section. "Or you could settle for us," quipped Walker. Soon enough, The Heepers were rocking every house, coffee shop, and garage that could hope to contain them. As for the name, none of the members are sure what it means. "We had a brainstorming session that turned into us just saying random sounds," recalls Felding. "Then out of nowhere we were all just saying 'heep!' over and over again. We must have gone crazy for a second." We're pretty crazy about The Heepers right now, so we invited Ethan Felding, Jr. over to our studios to cut a single. The first song is a new one for those who have been keeping up with the band, "My Pall Malls," which Felding is still in the process of writing. It features Felding's signature haunted narrator, this time leaving his presumed lover under unknown circumstances. The B-side is a cover of Beat Happening's "I've Lost You" that works lyrically as a continuation of the story. Head on over to the Singles Series page and get ready for some depressing goodness.

Click here to go to the Singles Series page and listen to The Heepers

Be sure to keep a keen eye out for shows and recordings from The Heepers (they don't have any websites yet).

Breakfast In Song With Boy Cragoe

Monrovia's notoriously bearded balladeer, Will Cragoe, joined us in our studios this past Sunday to record what would become the next installment in our Monrovia Renaissance Singles Series. Though better known as the force of nature behind the controlled chaos of Sunscribe, the faithful renderings of Toma, and the brutal blues of Skip, Cragoe is also a noted acoustic doodler, delighting in compelling, intricate fingerpicking. For the first time ever released upon the ears of you, the discerning music listener, is a song Cragoe has been holding onto for quite some time. "The Optimistic Song," is deceptively titled in terms of subject matter, but the lyrics are well-crafted and witty. The sighs and subdued delivery make this as much excellent acting as it is suberb singing. The single's b-side was somewhat accidental, arising from a bit of spontaneous inspiration that certainly paid off. This performance of Devendra Banhart's "At the Hop" showcases Cragoe's aforementioned fingerpicking skills as well as a vocal delivery that is somehow soulful and easygoing at the same time. A kazoo-playing tramp managed to sneak past security and weasel his way onto the track (don't tell him we kept his bit in the mix). While we get our Research Department on the task of understanding what we just said, feel free to listen to the single, or download it to listen to it for all of eternity, or for all of your iPod's battery, whichever comes first. Also, be sure to look out for all kinds of stuff from all those bands we mentioned.

Click here to go to the Singles Series page and listen to Will Cragoe

Photo credits go to Matthew Vogel and Megan Stubbs.

Dapper Lad Interview, Album Details

Monrovia Renaissance recently sat down for an interview with Dapper Lad, DJ for sunny rap weirdos Jr. Planet League. The occasion for this cosmic chat is JPL's announcement that they have entered the studio to begin recording their self-titled debut album. This record has been highly anticipated ever since this duo - consisting of Dapper Lad and the quippy MC No Name - hit the Monrovia music scene in early 2010. Dapper Lad has the tantalizing details:

Monrovia Renaissance: I understand you just returned from a month-long tour in the OC. How does it feel to be back in Monrovia?
Dapper Lad: It's absolutely bittersweet, I must say. I miss the people. Real genuine people.
MR: Now, tell us about the new album. Is it true that No Name had to become an American Apparel model to support your music?
DL: Yeah, I made him do it. It's not at all what you would think, either, not at all glamourous. It's something I'm not very proud of, but I believe that the ends justify the means one hundred percent of the time. Plus the LP is going to be absolutely stunning.
MR: Everyone is curious about how this album will sound since JPL is known to take on a wide array of musical styles.
DL: Oh, I wouldn't say that. If you could somehow listen to a recording of every single show we've ever done, you would know that we haven't changed that much. In fact, I believe we've gotten more the same, which is all any group wants.
MR: Well, that about wraps up our interview, is there anything at all you could tell us about the new album?
DL: Simply everything I've already said. Wonderful people, the OC, not at all what you would expect, except that it's exactly the same.
MR: If you had to sum up the feeling of the new album in one word, what would it be?
DL: I'm afraid I can't, actually. That would really go against my artistic instincts.

Jr. Planet League will be out in the future on Public Records.