Post-Teens With HEEPS Of Talent

Summer is just about over, and that means it's time to start packing away the sunshine melodies and bring out the sad stuff. Luckily, a new band has just the thing to slap a wistful look on that sunburnt face. The Heepers, made up of guitarist/vocalist Ethan Felding, Jr., bassist Lenora "Lenny" Walker, and drummer Cameron Culan, weave tales of woe sure to leave you with bittersweet longing. This should not be a surprise considering the band's history, however. Legend has it that Felding decided to start his new project the very morning after a catastrophic Valentine's Day left him without either a girlfriend or a band. His frustration fueled a flurry of songwriting, and he began taking his fledgling songs to coffee shops to help regain his confidence. A month later, he was noticed by Lenny Walker and Cameron Culan, who were on their way back from a trip to Santa Cruz when they stopped at Sierra Madre's Bean Town - just in time to catch Felding's performance. After the show, the two approached Felding and asked whether he was looking for a world-class rhythm section. "Or you could settle for us," quipped Walker. Soon enough, The Heepers were rocking every house, coffee shop, and garage that could hope to contain them. As for the name, none of the members are sure what it means. "We had a brainstorming session that turned into us just saying random sounds," recalls Felding. "Then out of nowhere we were all just saying 'heep!' over and over again. We must have gone crazy for a second." We're pretty crazy about The Heepers right now, so we invited Ethan Felding, Jr. over to our studios to cut a single. The first song is a new one for those who have been keeping up with the band, "My Pall Malls," which Felding is still in the process of writing. It features Felding's signature haunted narrator, this time leaving his presumed lover under unknown circumstances. The B-side is a cover of Beat Happening's "I've Lost You" that works lyrically as a continuation of the story. Head on over to the Singles Series page and get ready for some depressing goodness.

Click here to go to the Singles Series page and listen to The Heepers

Be sure to keep a keen eye out for shows and recordings from The Heepers (they don't have any websites yet).

It Came From The Record Shop

When I walked into Family Affair Music, Monrovia's landmark record store, I had no idea of just how life-changing my trip would be. I was there on a mission: to find the legendary bootleg 7" of Grape Grape's first and only concert, which took place at the Library Park bandshell in 1995. Searching the shelves got me nowhere, but I had a very reliable source tell me the bootleg was here. I decided to go ask the Man if he knew anything about the record (though he would most likely refuse to tell me). The Man, however, had just seen something that made him quite upset. "Another one!" he yelled, waving a CD jewel case like it were some sort of cursed object. When I asked what the matter was, he gave me the story. It seems some person sneaks into the shop on a regular basis and places their homemade CDs in the counter's bargain box. Though the person comes in about every week, the Man is still unsure what they look like and only knows they arrived when he finds the disc. This certainly was strange, but I still did not understand why the Man would be so upset. Then he told me: "...And they are filled with the worst stuff imaginable! Not only is it crude, it's not even good!" As I'm also a regular at Family Affair (albeit a more conspicuous one), the Man knows that I write for a music blog and have previously reviewed albums for various magazines. This knowledge, added to his confidence in his opinion, led the Man to thrust the CD into my hands, asking me to write the bad review the strange character deserved in the hopes that he would see it and be shamed into quitting his trips to the shop. As much as I wanted to help my friend, I found myself unable to write poorly about the album for one simple reason: it's amazing. Yes, it may be a bit rough around the edges: it boasts no-fi production, and completely lacks any kind of rhythm, melody, or sense of cohesiveness, but this is the album's charm. The enigma behind these recordings is one Deeton Slater; no other details are given in the album booklet other than the track names (the rest is all cryptic doodling). The songs are fractured yet rambling, and downright spooky. Overall, they give the impression that Mr. Slater is on the verge of a mental breakdown. Yet it is undeniable that this man is a genius. In the hopes that Deeton Slater will overcome his fear of rejection and stand up for his music, two of his songs will become the next installment in the Monrovia Renaissance Singles Series. Far from the best Deeton Slater has to offer, these tracks were selected solely on commercial appeal. Listen to them here and let Mr. Slater know that despite some people not being able to understand his artistic approach now, there are those lovers of innovation that appreciate his efforts. Also, if anyone finds that bootleg 7" contact me at monroviaren@yahoo.com

WARNING: Deeton Slater's songs contain highly graphic content and strong language. Listener discretion is advised.

Click here to go to the Singles Series page and listen to Deeton Slater

Breakfast In Song With Boy Cragoe

Monrovia's notoriously bearded balladeer, Will Cragoe, joined us in our studios this past Sunday to record what would become the next installment in our Monrovia Renaissance Singles Series. Though better known as the force of nature behind the controlled chaos of Sunscribe, the faithful renderings of Toma, and the brutal blues of Skip, Cragoe is also a noted acoustic doodler, delighting in compelling, intricate fingerpicking. For the first time ever released upon the ears of you, the discerning music listener, is a song Cragoe has been holding onto for quite some time. "The Optimistic Song," is deceptively titled in terms of subject matter, but the lyrics are well-crafted and witty. The sighs and subdued delivery make this as much excellent acting as it is suberb singing. The single's b-side was somewhat accidental, arising from a bit of spontaneous inspiration that certainly paid off. This performance of Devendra Banhart's "At the Hop" showcases Cragoe's aforementioned fingerpicking skills as well as a vocal delivery that is somehow soulful and easygoing at the same time. A kazoo-playing tramp managed to sneak past security and weasel his way onto the track (don't tell him we kept his bit in the mix). While we get our Research Department on the task of understanding what we just said, feel free to listen to the single, or download it to listen to it for all of eternity, or for all of your iPod's battery, whichever comes first. Also, be sure to look out for all kinds of stuff from all those bands we mentioned.

Click here to go to the Singles Series page and listen to Will Cragoe

Photo credits go to Matthew Vogel and Megan Stubbs.

For Your Listening Pleasure

And now, the most anticipated announcement of the summer: the official introduction of our Monrovia Renaissance Singles Series! You already trust the Renaissance to bring you the most timely and exclusive information on the hottest Monrovia bands, and though this makes for an impressive resume, we refuse to stop there. Click on the "Singles Series" link above to to listen to rare recordings you can find nowhere else. You can even download them to your portable music player and add our snazzy cover art. Be the envy of your gym, library, or hipster party! The Monrovia Renaissance Singles Series... it's the most!

David Dirks Shows Off His Steez

Easily the most eclectic of Monrovia's mental mavericks, David Dirks has been involved in countless, varied projects. The man's creativity seems to have attention deficit disorder as he shifts from more traditional band formats and music production to outrageous yet awe-inspiring performance art at the firing of a neuron. After his tenure as one half of seminal folk punk balladeers The Lethargic Gay and the Aggressive Stepfather along with singer/multi-instramentalist and fellow genius Clayton Rose, Dirks joined alleged cult Collateral Jammage and His Young Friends to terrify the parents gathered at Greg's Backyard Show of Winter 2010 with a primal display of brutal pounding, scattered thoughts, and wild dancing. Dirks broke through into the Monrovia mainstream when he won the 2011 Monrovia High School Battle of the Bands. Performing with mysterious twin anachronisms under the moniker Bob Marley, Dirks unleashed his inner demons and captivated the auditorium for a haunting ten minutes which would prove to be unforgettable. Recent rumors suggest that this was a preview of what could be expected from the vagarious vaudevillian. Dirks' new project is called Primo Steez, an ambitious effort that seeks to blend the aggressive verbosity of  rap music with the lush atmospheric sounds of current bands like Animal Collective. Dirks allowed the Monrovia Renaissance into his lair for a brief interview as well as a two-song performance that recalled his earlier work. Buckle your seat belts:

 

Monrovia Renaissance: What do you feel is the current state of music in Monrovia?

David Dirks: Monrovia specifically is in shambles. I heard we’re the birthplace of Reel Big Fish and some other bands, and it makes me feel kind of down sometimes. When I’m down though, I just pick up my instruments and just keep playin’ em, and playin’ em, and playin’ em…

MR: What do you find gives you the most inspiration to make music?

DD: Definitely Charlie Day from It’s Always Sunny in Philadelphia, without a doubt. His energetic acting skills really inspire me to be a more of an energetic person.

MR: Tell us about your current work: what have you been working on and what is the feeling behind it?

DD: I’ve been working on a solo project I call Primo Steez. It’s a collaboration inspired by various rap artists such as Gang Starr and Wu Tang. I think it’s going to be a great hit.

MR: And you think the folks in Monrovia are ready for this?

DD: No, I don’t. I think they’re still pretty hooked on Reel Big Fish.

MR: Have you considered a Lethargic Gay and the Aggressive Stepfather reunion?

DD: You know, I have considered it here and there and I think it’s about time we did have one sometime. Maybe this summer.

MR: Possibly at the next Greg’s Backyard Show?

DD: If he’ll have us.

   

Look out for further updates on the Lethargic Gay reunion tour and official  releases from Primo Steez. In the meantime, enjoy these two songs from David Dirks, the first release in our Monrovia Renaissance Singles Series.

Click here to go to the Singles Series page and listen to David Dirks